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Monday, 28 May 2012

Lyndsey Roughton Anthology - Contributors so far

We're heading into the final stretch for author submissions for the anthology - if you'd like to submit a piece, details are here.

I'd like to thank the Indie writers who've already submitted pieces for their unflinching generosity, and Scott from Indie Book Blogger for his unwavering support in this. Without all of you, doing something like this would not be possible. I think I can safely say you are all my new personal heroes.

We have stories that cover the range from fantasy to sci-fi, urban paranormal to horror, and every piece is first-class writing. Here are our contributors so far:

Chris Fraser
Edward Larel
Mia Darien
Joseph Garrety
Jason McKinney
Naomi Clark
Jana Hill
Nicholas Ordinans
Leanne Fitzpatrick
B. Throwsnaill
J.H.Sked
Renee Hall
Sky Corbelli
Jeffrey Poole
Joe Occhipinti

Thank you all!

Saturday, 26 May 2012

Werewolf Con Author Beware - There are Monsters, and They Bite

Authors work hard. They restrict their social time with family and friends, especially if they have a day job and can't pay the bills with their writing. If they're self-publishing, and are struggling financially, they either scrape the cash together to fund an editor and designer for their cover, or they have to try to do their damndest  by themselves. If they are lucky, they have a circle of trusted beta readers who can critique honestly. It can be pretty darn lonely sometimes, especially when they are anxiously  watching the rankings and praying for a stroke of luck or the first person to click the button and buy the book.

A number of them work the convention circuit, especially in the USA, which seems to have a Con in every state sometimes.

Unfortunately, sometimes the Con turns out to be a con.

This has happened to at least one writer this year.Jason McKinney forked over $150 dollars via Paypal months in advance to attend the Werewolf Con at the beginning of May this year and set up a table.

Jason was excited - not so much at the thought of flogging his stuff, although that was part of it (and the pink werewolf/butterfly laptop debacle shall entertain me for years) - but because he is a huge fan of  horror, and werewolves. He blogged about it. He tweeted about it.He chatted about it to me on Skype. You know that excitement little boys get just before they unwrap Christmas? That was Jason.

And then...

They cancelled the Con. Jason was gutted. But the $150 would come in handy; being a guy with a family that money is always handy, and sometimes desperately needed.

The money never came. Despite every promise made by Jordan Polintan and his staff, both via e-mail and on their now defunct website, the money never came.

Paypal won't do anything about refunding the money, since it's out of date for their allowed complaint time. Werewolf Con, also known as Con Extreme, LLC, appears to have shut up shop on everything including their twitter account - after pointing fingers at Refresh The Page. Refresh The Page, by the way, claim that they are still waiting for their take from Werewolf Con.

Round and round the mulberry bush, pop goes the werewolf.

If you are a writer or artist planning on attending a con, my advice is to steer clear of anything organised by these guys in the future. If you're a fan, I hope you do the same.

Jason has no recourse, apart from filing a police report, and I'm honestly not sure how much use that will be. I'm not a lawyer or a cop, but I hope he does, because what has happened here is blatant theft, and I can't begin to say how angry this makes me. I've just seen my friend get kicked in the teeth, and the people who did it have crawled under a rock and gotten away with it. I most sincerely hope that I am around to see that rock lifted, and that the US justice system manages to kick some ass and take some names.

In the meantime, I doubt Jason is the only one who got burned by these guys, and I really hope other people pick up this ball and bounce it. Shine the spotlight on anyone who uses hope and enthusiasm and fandom as a weapon against the people who love what they do - writers, artists, businesses and fans.

And Jason, I'm sorry, buddy. I really, really am.



Tuesday, 22 May 2012

Lyndsey Roughton - anthology and info update

Hi guys

The response to this has been amazing, from the authors giving their stories so generously to bloggers like Scott at Indie Book Blogger supporting the cause. If you'd like to help raise awareness, feel free to post about this on your blog, Facebook, and twitter stream - every little bit helps, and it's all appreciated. If you're an author and you'd like to donate a piece to the anthology, have a look at this previous post regarding FAQ's and drop me an email at jhsked(at)hotmail.com .

I've had a number of queries regarding donating directly to the fund. Although Lyndsey's website is in the process of being stripped and put back together, there is a donate button there. You can also read a few of Lyndsey's posts during her earlier struggle with the tumor. Her optimism and determination have to be read to be believed. Visit  it here.

In addition all fundraising for the next month via the Cobra Group Foundation site will be going to help pay for  Lyndsey's trip. The donation function is by PayPal and the link is here.

The anthology so far...

So far we have authors from the USA, Australia and UK donating their stories. We've got an exciting mix of horror, black humor, sci-fi and dark fantasy by some of the best Indie Authors writing today. From Jason Mckinney, Naomi Clark, Joe Garraty, and Mia Darien, with more authors to be confirmed, this is shaping up to be one of the most exciting collections I've seen in years.

Keep checking back for more updates in the next couple of days!

Interview at Great Minds Think Aloud

The lovely Kitty Bullard from GMTA put up with me babbling at her for an interview. To find out how the Blue Moon Detective series got started, and other info, go here to check it out! While you're there do yourself a favour and trawl through the site - it totally rocks!
GMTA covers reviews, interviews and promotions, and has everything nicely organised into genre so you can find what you're looking for.

 ****************************
J H Sked is the author of WolfSongBasement Blues and Die Laughing, all of which are on Amazon and enrolled in the Kindle lending programme.


Saturday, 19 May 2012

Authors wanted - FAQ's & rules

Thanks to everyone who has already contacted me regarding the Lyndsey Roughton anthology, it's really appreciated.

I've put together a FAQ/rules list which hopefully covers all the questions - if I've left yours off, please hit me in the comments or email me directly at jhsked (at) hotmail.com.

Do we get paid?
Unfortunately not - this is a donated story anthology for an ebook for a fund-raiser. You will be sent a full PDF of the book as an authors copy.

Can I send you poetry/microfiction/short-shorts?
Yes, yes and yes!

What is the word limit?
We're trying to aim for an upper limit of  3000  5000 words. If you are slightly over, send it though - as long as it doesn't hit the realm of novella we'll look at it.

What genre are you looking for? Is there a theme?
We're concentrating on horror and fantasy as a genre. Think the supernatural with any sort of spin on it you'd like, as long as it isn't animal torture or hard-core porn.
It could be anything from a haunted ashtray to a chain-smoking unicorn - if it's a printable story and you are happy to donate it, we'd like it.

Do I need to be published/self-published already?
No, not at all. You also keep the rights to your story, so you can go out and re-publish it where-ever and when-ever you'd like.

Can I send a story that's already been published?
As long as you have the rights to the work, we'd love it. If you've been published through a magazine/publisher and not self-published, please check to make sure you can re-use it.

What is the time-limit to submit?
Please submit by 2 June 2012.


When will the collection be published?
Due to the time-constraints Lyndsey is under - the current diagnosis is anything from 3 to 24 months left - we  aim to have the book up on Amazon by the end of June.

How do I submit?
Please send submissions through as an attachment on a word document to jhsked (at) hotmail.com. Please also include a short bio about yourself, and any other work you have available - this will go into the book as a bit of a showcase for you.

======================

Thanks again for the wonderful support you've already shown - it means a lot!


Thursday, 17 May 2012

Lyndsey Roughton anthology - call for authors

In Manchester, England, a young woman is busy dying. This is her story.


"Lyndsey is a 27 year old professional young woman working for an established PR Marketing Company as a HR Manager in Manchester.

When you meet Lyndsey, you would get the feeling that she was confident but down to earth, strong but fiercely ambitious.  You would not think for a minute that on the 12th April 2012, she had been told that the brain tumour she has battled with for 3 years has now become inoperable and they cannot find a cure.

She is positive, she is funny, she has an amazing smile, and even the side-effects of the chemotherapy are not getting her down.  Her positivity and her determination to beat this disease are evident: she is a fighter.  

In November 2009, Lindsey had a routine eye check with the opticians.  She was having trouble with headaches, with blurred vision during the day and dizzy spells. She thought this was just a symptom of her hectic social life, but the optician saw something different - they suspected ‘Papilledema’ – ‘pressure, in or around the brain caused by bleed or tumour’.

After an examination CT and MRI scan it was confirmed that there was a tumour on the right frontal lobe of her brain. An operation to remove the tumour was done on Christmas Eve 2009.  After a biopsy of the tumour she was told the tumour was benign, and although scans were scheduled for every 6 months all was fine.

On 24th December 2010, (Christmas Eve again) she was told the tumour was back, in the same place but more aggressive - it was now a Grade III Oglioastrocytoma. This time, the tumour was malignant.  Another operation was scheduled for the first week in January 2011. Lyndsey took it in stride, positive and determined to get on with whatever treatment was given to beat this disease.  Radiotherapy was the option.

In April 2011, Lyndsey had to endure 10 weeks of intensive Radiotherapy. Despite her positive attitude, she worried about losing her hair, although when the inevitable happened and she did lose it, she decided to focus on the positives again.
Treatment was working.

This time, scans were scheduled for every 3 months; and everything was going great. On the 7th December 2011 Lyndsey and her family celebrated when they got the wonderful news that the tumour was gone. 

A scan wasn’t scheduled till 17th April 2012, but she didn’t get that far. On Easter weekend - 5th April 2012 - Lyndsey didn’t feel well at all and had to be rushed to hospital. She knew, deep down inside, from her symptoms, that the tumour was back.
 On Monday 9th April, 2012 it was confirmed that the tumour was back a Grade IV ‘Glioblastoma’, although not in the same place. It had now moved to the “left frontal lobe”.

The surgeon explained that the tumour was far more aggressive than before, and they would not be able to operate because of the damage that it would do to her life, her memory, her ability to walk, talk and think, so an operation is not an option.

As it is so soon after her previous radiotherapy treatment this too is no longer an option, leaving her with chemotherapy is the only choice she has.  Chemotherapy has started, but has been described as ‘palliative care’ - is given to prolong life, and improve quality of life.   

The diagnosis is not good, but to Lyndsey the future is still bright, just wanting to live everyday as it comes.

In all the time that Lyndsey has been living and dealing with this awful disease, she has never once pitied herself or her situation, she considers that this experience has helped her to grow as an individual. Her ability to remain positive and not be scared has meant that everyone whose life she touches is therefore not scared and always positive about the future.

Throughout this journey, Lyndsey has always planned that once she had recovered she would go travelling, specifically to Asia, Thailand and Vietnam, a spiritual journey, to be able to sit with the Buddhists, and find herself. 

But with the devastating news that she recently received, time is not on her side. There is little time to plan, little time to accept the news - all that is left is time to do!   

So our plan is to raise as much money as we can to give Lyndsey the holiday of her dreams, to travel through Vietnam, and do every thing she has always wanted, packing every day with fun filled days and laughter.  Due to the severity of her illness the cost of insurance and travel is very expensive, so our target is £15,000.

Events are being held all over the place to help raise funds, by the Lyndsey Roughton Purple Heart Brain Tumour Fund, we would really appreciate your support; please find details of some of our up and coming events below:

26th May, 2012                 Pavo – Sings                                    Location:           Bees Knees, Cirencester
1st June, 2012                   Golf Fund Raiser                           Location:           TBC
4th June, 2012                  Duck Race                                         Location:           South Cerney, Cirencester
9th June, 2012                  Casino Royale Night                   Location:           3D Organisation, Manchester
TBC                                       Electro Night – Music                                Location:           TBC, Manchester
TBC                                       Walk, Aberdeen – Forfar         Location:           55 miles, Scotland

Total raised so far, (within 4 weeks) is  £5664.79"

 =====================================================
Full disclosure - I know Lyndsey's mom and her partner through work connections. The family have a site link which is currently being re-built, and I'll post an update when that happens.

We can't fix this. No matter how much money we raise, the situation is that there is no cure - although I'm not counting Lyndsey out just yet; pure determination and positive thinking do amazing things. What this will do is hopefully help someone achieve their dream before they leave the skin of this world and the light goes out.

That's where the writing thing comes in useful. The plan is to put together a short story anthology to be published as an ebook, all proceeds to go to the family.

If you're a writer, or know anyone who writes, and you'd like to donate a story, please let me know - you can contact me at jhsked(at)hotmail.com. Authors will keep all rights to their stories, but there is no payment or fee for this one.

Thanks for reading.










 


Wednesday, 2 May 2012

Why authors need to put their big-girl (or boy) panties on

Every so often the internet explodes when an author - self-published or trad - throws their toys out of the cot at a reviewer. Usually the backlash is like watch a train-wreck; hypnotically awful. I'm not going to link to it because once it turns into a blood-sport it makes me queasy, but googling "authors behaving badly" will throw up enough results to get you through a large bucket of popcorn.

Here's the thing though: authors invest time, effort and love in our work. No matter what anyone else thinks of it  when it's done, the creating part (let's not even get started on editing, which just plain hurts) comes from a pretty visceral, emotive place.
Once we put it out there though, it becomes a product, and too many authors forget that. The average reader doesn't care that you wrote your first draft by candlelight at 3a.m in the middle of winter. The average reader sees a product, and either likes, loves it, or loathes it. (Every now and then you get "meh" instead, which is worse.)

This is a product. This is something that you hope people will buy (maybe even enough to get your coffee fix for the month) and if they like it enough they'll buy more of your stuff. If they like it, hopefully they leave good reviews. Even better, hopefully they recommend it.

If they don't like your stuff, a buyer of your product is entitled to leave a bad review. 


By bad review, I'm not talking about the incoherent ramblings that scatter some websites and pages: anyone with an ounce of common sense will look at them and wonder if they could get hold of whatever narcotic was in the water supply that day. I've had one of those - sadly, it disappeared before I could decipher it, although I do remember a lot of references to "dude" in the middle of  things.
I'm not talking about three star reviews either, which to me come down pretty evenly as didn't love/didn't hate it, and often give more balanced feedback.

Reviews that give a one or two star rating because of the price, or because they didn't check to see the length of the book, or because they tried something totally outside their normal genre and hated it can be pretty safely discounted as well (and don't scream about them pulling the star rankings down - I know. Report it if it's unfair, and move swiftly on. Most folks aren't that stupid and those reviews will be treated with a grain of salt at the very least.)

But if you get a bad review that states clearly why the reader doesn't like your book, what the issues were, and most importantly, that the reader obviously actually read the thing - they've done you a favour. Take a step away from the emotional "OMG my BAAAABY just got trampled!!" response. This is no longer your baby. This is a product, getting feedback from a customer, and if their issues and points are valid, listen to what they say.

In other words, listen to your customers.

Some things you can fix. Things like formatting issues, which are still a major bug-bear for me in my own books (I've lost track of how many times I've re-formatted WolfSong - this weekend marks yet another slog at it). Spelling errors or incorrect words might be common through every form of book, whether traditional or self-published, but if your readers notice and mention it, try to fix it. Continuity issues like sudden name changes or spelling changes, missing pages - these can all be fixed, and if your customers don't complain about it, you will carry on happily doing the same thing over and over again, and wondering where the hell your sales went.
They went to the authors who listen to their customers.

The best feedback I've had have come from the folks who point out the rough patches and the issues. I had an awesome discussion on Good-Reads with someone who was not a fan of WolfSong a while ago.There were parts of the books he just didn't like, he wasn't crazy about the P.O.V., and he entertained the hell out of me trying to guess the resolution that's coming up in the second book. He gave me three stars (which I thought was pretty cool since like I said, he wasn't really into the book), great detailed feedback, and I loved our discussion. (He's also a pretty sharp writer himself, with a wicked sense of humour and the absurd that comes across pretty clearly in his work.)

If the review is on an independent review site, you're even more likely to get well-reasoned and fair reviews; so if the issues raised are technical or parts of your writing you can fix, say thanks for the review and fix what needs to be done. Review bloggers aren't paid to write reviews. They do it because they love books, and they don't deserve anyone being precious over their opinions. Because that's what a review is - an opinion. They're as entitled to it as anyone else, and these folks - repeat after me - are reviewing your product.

Some things you can't fix. If the issue is with the plot, the characters, the story as a whole or simply your writing style - short of re-writing the entire thing that's not going to change. This is a good thing. If everyone wrote the same story, with the same characters, in the same style, the world would be sad and grey little place. So you can't fix that, nor should you want to. Here's the kicker: the reviewer's opinion is still valid. If they don't like your stuff, a buyer of your product is entitled to leave a bad review.

Good reviews are great. They soothe the ego, brighten up the day, make you bounce a little. They don't necessarily sell books. I'm not sure of the negative impact of bad reviews, to be honest; there's a whole bunch of folks who claim not to read reviews at all before they read a book. But bad reviews or low stars are just the flip side of the ego coin; unless you pay attention to your customers.

I've watched a few authors melt down on forum boards, or get a bunch of folks in on the "Stone the Reviewer" game. A nasty review is going to hurt. But do you seriously think that other business owners - let's use Richard Branson as an example here - do you seriously think Richard cries into his coffee when a customer complains? Does Richard call upon the power of all loyal Virgin customers to bombard the complainant with ridicule and down-votes? Does Richard point a quavering finger via the internet and whimper that he's a victim and nobody understands what he's trying to achieve? I'm fairly sure he doesn't. (If he does, feel free to send me proof).
Richard Branson is a business-man, with a brand. Richard sells products. Richard does not cry over them, bully reviewers or drum-up witch hunts when a passenger on the Virgin service from London to Glasgow has a problem with the service.


In other words, authors need to put on their big-girl (or boy, if we need to be PC) panties, listen to customers, and stop harassing reviewers if their ego doesn't get stoked enough. Come up with the best product you can, put it out there, and stop assuming that reviews are personal attacks, because otherwise you're going to devolve into someone rocking gently under their keyboard with a fairly large dose of medication.

Your books are a business once you publish them. Your writing is a product. Treat it like one.

                                      ****************************
J H Sked is the author of WolfSongBasement Blues and Die Laughing, all of which are on Amazon and enrolled in the Kindle lending programme.








Sunday, 15 April 2012

The Leicester Pigeon Wars, Part 1

Anyone following my twitter & blog has noticed the occasional pigeon rant. There seems to be an ongoing conspiracy amongst UK pigeons to make my life hell. Some of it's old news; I had a few bad moments in the flat I lived in a number of years ago when something with feathers (I refuse to dignify it with the word bird) kept dive-bombing the toilet window. While I was *ahem* using the facilities. Repeatedly. It got to the stage that I'd dive into the room, latch the window closed, and leave again for a few minutes so the homicidal little buggers could headbutt the glass. None of them were ever killed or hurt by doing this, and they never did it when my flat-mate was in that room. They saved it all for me.

Things escalated into outright war - unprovoked, with me as the injured party - when I started travelling to Leicester on business.

A couple of years ago I made my first trip to Leicester, which involved leaving London at some horribly early hour. I lurched off the train needing the bathroom, a coffee, and a cigarette, so probably wasn't at my sharpest mental state for what followed.

I stopped outside the station to try and figure out where I was supposed to be going. Having the sense of direction of a traumatized gold-fish at the best of times is not really good thing when you travel a lot for work, by the way. There was a young guy standing a few feet away from my, yakking away on his mobile phone.

As I blearily tried to work out where the hell I was, a pigeon staggered up to me. (Yes, I mean staggered.The only thing I've seen with more stagger is a Camden drunk on a Friday night.) Then it made the strangest noise I've heard from any animal - feathered or otherwise - and then it projectile vomited onto my trouser leg.
Then it staggered away from me, flapped it's wings a few time, and shuddered into the air.
The guy of the mobile was laughing so hard I thought he was going to choke.

So let's recap:
First visit to Leicester? Check.
In desperate need of bathroom, caffeine & nicotine? Check.
Absolutely lost? Check.
The above is all pretty much par for the course when I travel. Puking pigeons? Not so much. Puking pigeons that projectile vomit bright orange alien-looking goo onto your fairly expensive and new business suit? Nope, that's a pretty special it-can-only-happen-to-me moment.

I had no idea this was only the opening round.

.*******************************************
J H Sked is the author of WolfSongBasement Blues and Die Laughing, all of which are on Amazon and enrolled in the Kindle lending programme.










Tuesday, 3 April 2012

Hospitals and Dentists, oh my!

It's been a strange, entertaining, and frankly painful week by turns since my last post.

The job hunt continues and is looking pretty optimistic right now - I'm hoping to hear about something in the next week, so crossing fingers & toes. If it works out, it's actually a salary boost for me, which will definitely help. Update - I've been re-deployed internally, which does make it sound a bit like someone plans on shooting at me. Military speak in HR, gotta love it. It's a huge relief though - I had visions of joining the hollow-eyed line of despair at the dole office to make rent, and that doesn't appeal one little bit.

I downloaded a fitness app, which is a lot more useful than I thought it would be, although it does tend to scold when you under-eat.
On Saturday, I took my cousin off for an MRI scan, at St Ann's in Tottenham. Poor girl has a lot of grief with her knees at the moment, and since I know all about severe pain when trying to walk, she has my sympathy.
The hospital itself is pretty strange. The MRI unit is right at the rear, and since it doesn't have an emergency unit and we went on a Saturday, it was very, very quiet.
There's something utterly creepy about a deserted hospital; the only thing that comes close is an abandoned school. The buildings sprawl over a huge chunk of land, and all of the units are separate buildings. Once you step into the grounds, all sound from outside disappears, like some sort of aural black hole. The main feeling as you walk along the utterly silent main road that leads to the pre-fab MRI is desolation, and age.
A bit of googling when I got home told me that the site started off as a fever hospital in 1892. I have no idea whether the buildings on site are that old; the actual set-up reminded me of a very large old farm with a lot of outbuildings. I do know that if anyone ever wants to shoot a very atmospheric horror there, they'd have a very good location.

Monday was my turn for a medical issue. I had to go to the dentist for extractions. Anyone who knows me also knows that dentists fit in the same category as spiders, sharks, and my mother in a bad mood. They scare the hell out of me, although to give my current dentist credit she is very good. I'm just very phobic. (I also have objections to paying a great deal of money to be tortured for 30 minutes at a time. It makes me bitter.)

With my usual luck, it turned out they couldn't do all the extractions at the same time (something to do with only being allowed to use a certain number of local anesthetic injections - & it still bloody hurt!), so I'm back in a couple of weeks. The one side got to the stage where I was visualizing the dentist bracing herself with a foot on my shoulder.
I finally lurched out of surgery with an Elvis sneer, looking like I'd been bitch-slapped by Thor. Today I'm making friends with large quantities of painkiller and salt-water, hoping to be able to speak when I go back to my desk tomorrow. Sadly, I've lost the Elvis lip, which I was starting to appreciate.

To add insult to injury, my fitness app gave me lecture on not eating enough calories.It's a bit hard to argue with an app when you have mouthful of cotton wool & nowhere to write about having to gum your food to death, so I've had to satisfy myself by glaring at it and sulking.

Hopefully by the weekend I'll no longer look like a shaved down hamster, and be able to write coherently. For some reason fiction and painkillers don't get on very well, which makes me doubt a lot of the legends about drug-addicted writers producing great work. It's a bit hard to write a masterpiece when you're arguing with your spell-checker about how to spell "cat."




Saturday, 17 March 2012

Murphy Bites

I've not posted for a while (bad writer, no cookie) but there were a few things I needed to get my head around. Since most of it was regarding the day job, there wasn't much I could put up on the blog; I try very hard not to let that world collide with the rest of my life. Also no one really wants to read much about regulatory compliance in their fun time, and since a LOT of what I deal with is confidential, all I could really mention was the travelling.

I've had a good +/- 7 years doing this. I've met some awesome people, I've discovered that I like the detective work of auditing (not financial. Don't even go there.) and even better, fixing things and making the clock tick a little more accurately. I've seen a lot of cities in the UK, and a lot of truly awful hotel rooms. I've got a private war going with Leicester pigeons - so far, the pigeons are winning - that's amused the hell out of my colleagues and cost me a couple of clothing items. However, I did get an "I love Pigeons" mug sent to me from the Leicester guys, so I chalk that up as a win in that column. (If I ever grow wings, Leicester is my first stop, & I'll probably be armed with a flame thrower, pigeons. You've been warned.)

Sadly, it's come to an end. My division is closing, and barring some sort of miracle, I get my redundancy pay in a couple of weeks. Saying goodbye to my team will be very, very hard. They are some of the best people I've had the privilege of working with, and I wish every one of them a bright and blazing future.

Next step for me? I'm honestly not sure. The job market in the UK is making loud squeaky noises, although if I'm really scrambling I can hopefully get a temp job to cover the rent and eat. I'd happily head out to Oz or New Zealand for work, but most employers out there want a complete degree and I'm not there yet. I've deferred my next year at university, but unless I find an employer willing to help out financially, I think I can wave goodbye to the Masters degree. I've got my first year certificate, and that and £2.75 will buy me a latte.

A lot of folks will be asking why I don't just stay at home and write. Although I'd love to, I don't earn enough to pay any sort of bills. I reckon I need at least 7 books up before I start seeing close to a three figure income, and although I have the plans for that, it won't happen until the end of this year at the earliest.

By all reasoning, I should be curled up in a little ball and whimpering, yet I still feel strangely optimistic. I still have a functioning mind, my health, my family, my sense of humor and some great friends. I still have the ability to take what ever Fate or Life or Murphy throws at me and make it bounce. I don't give up easily. If I did, I'd never have written any books, never painted any pictures, never gotten on a plane and traveled several thousand miles away from home to try life in the UK. I'd never have taken on a quality/compliance role that I had very little training for, and developed a reputation in a global company that meant people from across the EU and the rest of the planet contacted me for help and tips.  I'd never have walked again after breaking my leg so badly the docs wanted me to register as disabled. The only time you can count me out is the day they plant me 6 feet under (and even then I'd recommend a couple of heavy rocks. Just in case.)

So this is me right now: slightly rocky, slightly bloody. Still not broken. Let's dance, shall we?

                                     *****************************

J H Sked is the author of WolfSong, Basement Blues and Die Laughing, all of which are on Amazon and enrolled in the Kindle lending programme.




Saturday, 18 February 2012

Indie v.s. Traditional - War of the Words

For anyone who doesn't know - which I imagine is 99% of anyone who doesn't write and publish or is somehow involved in that world - there's been a steadily escalating war between two camps for a while.

In Camp One, which I'll call the Trads, we have the traditionally published authors. Got at least one book deal, might or might not be in print yet, loves traditional publishing with all the validation and trappings that entails.

Over here, in Camp Two, we have the Indies. Self-published, usually through Amazon, often Smashwords, Nook, all the e-friendly stuff. Some of them making big money, most of them not so much, but still slogging away at it.

Some have crossed over, from one camp to another, and been branded traitors, sell-outs, and every other insult two warring groups can come up with.

Lets have a look at what the war is about, shall we?

Indies: I've decided to self-publish. I'm tired of getting rejections/not earning out my advance/simply want control over my cover/story/want to earn more than the percentage traditional publishers give me.
Trads: Indies suck! They have no quality control, can put up as many books as they want as fast as they can write them, and some of them earn more money! EVIL SWINE!!
Indies: You are mind-controlled by the Axis of Evil Publishing. Come, join us, before it's too late, and they start sacrificing your kittens! Also, some of us earn more money than you, nyah-nyah!
Trads: EVIL! EVIL! You have no SOUL!
Indies: MINDLESS! MINDLESS! Here, have a banana.
Trads: AAAARGGHHH!! Bring me the head of Joe Konrath!
Indies: WE LOVE JOE KONRATH! WE WILL FIGHT TO THE DEATH!
Joe: Here, have a banana.

See the problem here is both sides seem to have embraced their method of publishing the way certain religious sects embrace their holy texts. If you aren't doing it my way, you're hell-bound. This is so ultimately and fundamentally stupid that for me, it's gone past interesting into the realms of black comedy.

Traditional publishing undoubtedly works for a number of authors. Nothing wrong with that; the same way self-publishing works for others. There are more than a few combining the two as well. So why, in the name of Stephen King's striped pyjama's are authors - any authors - taking time to throw mud at each other?

Why is it so important to you that someone several thousand miles away chooses to switch to traditional? Why the gasps of horror when a traditional author decides to self-publish? I follow Joe Konrath's blog because the man makes good sense and gives damn good advice on the self-publishing route, and I self-publish. I also follow a couple of traditional agents and writers, because the advice on quality and writing is the same no matter which route you go.

The saddest thing about this little war, which is tip-toeing out of mud-slinging and sneaking into even nastier territory, is that readers don't care.

Readers want books. They want good take-me-out-of-this-crappy-commute stories, or let-me-leave-my-boring-life-for-an-hour-adventure stories. Some of them don't buy Indies, because they think the quality sucks. Some of them only buy Indies, because they like the fact that a lot of those writers push boundaries in a way they couldn't with traditional publishing. They don't care that Author A thinks Author B is a soul-less architect of evil, or that Author B thinks Author A should put their big-boy pants on and take a chance, and why should they? All they care about is that when they open that book, or push the next page button on their e-reader, the story takes them away for how ever long they read for.

Put the mud-pies down and write, guys. That's all your readers want.








Saturday, 4 February 2012

Free Book Weekend & the release of Die Laughing

Heading full tilt into the world of how to pay rent again means I've been a bit slow on the blog updates.

There is some good news though - Basement Blues is free to download this weekend, from amazon.com or amazon.co.ukhttp://www.amazon.co.uk/Basement-Blues-ebook/dp/B0054E922Y.

In other news - Die Laughing went up and went live. This is in the KDP select programme, so if you're on the programme you get to borrow it free of charge.

Here's the back copy for you as an appetizer:

The gods are back in town. Well, one of them is - and he doesn't play nice.

Jane Rossa is trying to find out who - or what - killed her brother. Enter Billy, a nice guy with a few unusual talents, and very unusual friends.

Can a vampire, a ghost, and a shape-shifting house-cat stop a deranged god who thinks killing people and wearing their bodies is laugh-out-loud fun? 

Maybe - with a little help from their friends. And a hell of a lot of luck.


==============================


I love the cover, which has a relatively funny story attached to it, and as soon as I'm convinced my model won't drop me in a lava pit for telling it on the internet, I'll post it. Although technically I can lurch faster that he can...









Thursday, 26 January 2012

Winners from Creepfest

I've finally recovered from the worst jet-lag of my life. I've spent two weeks feeling like I was bitch-slapped by a boeing, which is no where near as much fun as it sounds.

So I've managed to pick the winners from the comments, which was hard because they were all very, very good. I settled it by writing the screen names out, putting them on my cork-board thingy, and throwing tacks at them. Need I point out my aim is awful?

First Prize goes to T.K. Millin.
2nd tack - erm, prize, hit Lori, the 3rd landed square between Netta and Julie, so in the interest of fairness (also, I ran out of tacks) I'll be sending them both copies of Basement Blues.

I'll be dropping you an email shortly if your details are traceable through your comments; otherwise please contact me at jhsked[at]hotmail.com so I can get your goodies to you.

I hope you guys had an amazing Christmas and New Year. Mine was awesome -  I'll be posting about my trip to Oz shortly. Complete with a rant regarding feeding economy class anything that produces intestinal gas.

Monday, 19 December 2011

Creepfest Christmas Story : "Jingle Hell" by Jason McKinney


Jingle Hell

by Jason McKinney

“I hate this time of year,” said Maxwell. He leaned over his drafting board, feverish with hatred for the new year. Santa always kicked things into high gear in January to prepare for the Christmas season that lay eleven months away.
“You wouldn’t hate it so much if you put your mind into your work and not into grumpiness, Maxie.” Jenna Tannenbaum had been his assistant for the last 23 years and was his exact opposite. She loved all things Christmas as much as she loved her job.
“There’s more to the world than this.” Maxwell’s nerves were already frayed from her cheery optimism and it was only two days into the year.
“Maxie, you say that every year. One of these days you’ll change your mind.” While he thought Jenna had a beautiful smile, it did nothing to alleviate his mood.
“Fat chance of that happening,” Maxwell muttered, going back to his design for the sleigh’s new stealth system that any human military would gladly kill for.
His department was Research and Development. They were cutting edge in ways that left the defense and toy industries wallowing in the Bronze Age. The new stealth capability was one-quarter Christmas magic with the rest being hardware and software.
Jenna looked over his shoulder as she placed a cup of peppermint hot chocolate on his pencil table. “When are you going to use a computer to do your designs?”
“Tell you what. When pigs pull the sled, I’ll use a PC.”
“Kirk is using a computer for all his designs. His enamel paint facilitator is expected to go online in March.” Jenna spoke in a dreamy way that edged Maxwell further into gloomy anger.
“It’s a glorified spray paint machine. Geez! What’s the big deal?”
“It’s going to save time when finishing the toys. Come on, Maxie. It uses laser technology, for crying out loud.”
“Well, when you put it that way, you’re right. That’s way more important than making sure some soldier on midnight watch doesn’t launch a tactical something or other up the old man’s ho-ho-ho. Well done that.”
“You’re a jerk.” Jenna turned and stormed out of the workshop.
Maxwell leaned forward, pulled down his right eye’s bottom lid and stuck his tongue out as Jenna slammed the door. He noticed the other fifteen elves staring at him. “Whaddya looking at?”
The others returned to their work and so did Maxwell.
Maxwell Jingle was a fourth generation elf. His father had worked for the fat man as one of the product designers/tinkerers that made sure things went smoothly in the workshop. His grandfather had been a North Pole cobbler, and his great grandfather worked as a deer wrangler. His mother was a seamstress, his grandmother was an assistant on gift distribution and great grandmother was a fact checker in the List Department. To say that being an elf was in his blood was an understatement.
Unlike in the movies though, jobs weren’t passed down from parent to child at Santa’s shop. No, an elf was placed where their aptitude lie. Maxwell or Maxie as the fat man called him was one of the rare few that had inherited his position from his father. Like dear old dad, he was good at thinking up mechanical things, but he hated it.
 By the end of that day he hated it even more. The old man had called him in and lectured him on the Christmas spirit. Maxwell despised being lectured and loathed Santa even more for it. How he longed to go south and live a normal life. Cities like London, New York, and Moscow fascinated him. Even a Podunk town like Marybeth, Louisiana seemed a far cry better than the North Pole.
“Christmas spirit? Who’s he kidding? At least he gets off the reservation once a year.” Maxwell took a drag off his cigarette and bundled himself tighter against the cold wind that blew across the hard packed snow. He exhaled, wishing it had been something other than the Mistletoes he’d bought off the North Pole black market. He didn’t know why he was surprised the cigarettes tasted like candy canes, considering the name branded on them, even though he knew they had tobacco in them.
Smoking, like alcohol was prohibited, but Maxwell wasn’t one to care. “Self righteous rube,” he cursed, stamping the dropped cigarette into the snow.
Maxwell turned to a hydraulic lift that served as one of the entrances to the work areas below. As he pressed a button hidden in a faux snow bank he heard a dull explosion from overhead. “What in the name of the little drummer brat was that?” He turned, searching the sky, not seeing anything until he looked northeast.
A bright flash of light and a whoosh overhead sent Maxwell tumbling. Something crashed into the snow about a kilometer away, showering him with snow and ice. Maxwell stood up, brushing his face and front in bewilderment. “What is that,” he muttered, taking a few steps toward the column of steam.
He tromped his way forward, finally coming to where the object had crashed. The steam was dissipating, showing something that looked like a chunky contorted Raisinet. “Figures,” he thought aloud. “Even the cool stuff that falls from the sky looks like candy.”
Scurrying down the impact crater was tricky at best. The heat from the space debris’ reentry had melted the snow then turned it to ice. As he climbed down, Maxwell was thankful for his hobnail boots.
The object was about nine feet in diameter. As Maxwell circled around it, he wondered what the odd writing on one of the scorched panels meant. He quickly took out his pencil and pad and sketched the sixteen symbols.
“What are you?” He prodded one of the glyphs with his pencil. The heat from the object warped the eraser. Then a six inch octagon hatch sprang open revealing a red and green display. It appeared to be counting down. “Aw, crap. That can’t be good.”
Maxwell tried to scramble up the icy crater, mentally chastising himself for being so stupid as to provoke an alien craft. “Move you tinkerer piece of reindeer dung,” he cursed aloud as his feet refused to gain purchase on the slick sheets.
The beeping from the object reached a shrill crescendo before a deep, distorted alien voice laughed maniacally. It sounded like a malignant Santa and it did little to ease Maxwell’s mind.
He looked over his shoulder as he thrust a foot and a small fist through the ice to gain traction. A greenish red gas burst from the satellite, shrouding him. His mind and stomach flip flopped as the smell of rotten nutmeg filled his nose and then his lungs.
Maxwell fell back into the crater. His vision blurred and his dinner screamed to exit the way it had entered. Slowly he lost consciousness. His mind filled with fevered dreams about Jenna doing things no elf could ever possibly do. It made him wonder if she was a freaky little elf in real life as well. It would have been a good dream if in the fantasy Jenna hadn’t also been hitting him in the head with a tack hammer.
When he awoke he felt even worse. His feet were wobbly and his head throbbed with an unnatural headache. He leaned against the satellite and for a moment couldn’t remember what had happened. He jumped away from the vile machine once his memory returned.
“I’ve had enough of you.” He kicked the dead object in anger. While normally grumpy, he was, at that moment, unusually enraged. He kicked the object again, harder this time, causing the octagon hatch to fall off. He leaned toward the darkened display, confident that the mystery satellite was dead for good. “Serves you right,” he whimpered, though he wasn’t sure if he was talking to the hunk of metal or himself.
Maxwell took the time to visit Gregory Gilder, the Cultural Interpretation and Translation expert for Santa’s operation. Not only was Gregory the language guru, he was the North Pole’s head black marketeer of minty cigarettes and gingerbread whiskey. If anyone could figure out what the symbols meant, it was Gregory.
“Hey there, Greggie boy,” called Maxwell, walking into the translator’s office.
“Where you been, Max? What can I do you for?” asked Gregory, turning from his desk to face Maxwell. “Sweet Christmas pie,” he exclaimed. “Mother fudge lover! What happened to you?”
Maxwell gave Gregory a strange look. “Nothing, I just got back from a smoke break. Hey, can you decipher these symbols?” He held the notepad out to him. Gregory delicately took it from him with the expression of a person wishing he had rubber gloves that went up to his shoulders.
Gregory carefully studied the symbols then cast Maxwell a doubtful glance. “Where’d you get these?”
“Umm. Saw ‘em on a human TV show about crop circles or some such. Just wanted to know if you’d ever seen anything like them before?”
“I’m not really sure, but it looks familiar. Have you seen a doctor recently?’
“What? No, I haven’t seen a doctor. What’s with you?”
Gregory held his hands up, palms out before him, and the sight of his appendages made Maxwell hungry for chicken fingers. “Nothing, brother,” Gregory answered with a hint of fear in his voice. “Just thinking maybe you should. I don’t know, forget I asked. Still, where’ve you… Um, Max? Are you drooling?”
“Hm? What? No, I’m not!” But Maxwell was. He tried to covertly wipe his mouth, but he knew Gregory had seen it already. Maxwell was embarrassed more than anything else. He was also beginning to feel a little hungry and sick again. “Hey, I gotta go. Work on that when you get time.”
Maxwell left the office and made his way to his work station. He passed a few elves that he didn’t know, but they obviously knew him. Most flattened themselves against the wall as he walked by while others stopped, looked at him then fled whispering.
“Waste of elfin magic if you ask me.” He didn’t care if they heard his discontented observation. Their attitudes earned his disdain.
By the time he got back to the R&D Department he was feeling much better. AS he walked to his desk his co-workers stared at him in astounded horror. Normally he would’ve snapped, “What are you looking at”, but he was feeling better than he ever had.
“Good morning, everyone,” he said, sitting down at his drawing board.
Jenna and Kirk cautiously approached him. They both looked frightened as they slowly inched toward him.
Maxwell watched them out of the corner of his eye. They were almost shoulder to shoulder as they got closer, but were soon taking turns trying to push one in front of the other.
“Hey, Maxie,” said Kirk, trying to sound brave. “Where…” Kirk coughed nervously, then continued. “Um, where’ve you been, buddy?”
“Out for a smoke if it’s any of your business.”
“For four days?” Jenna shifted from foot to foot. Her nervousness was showing and that agitated Maxwell greatly. “You’ve been missing for four days, Maxwell. Everyone was searching for you.”
“Four days? No way. I was outside for an hour at most.” He rolled a pencil under his right palm. His irritation was growing and the need to kill something engulfed his heart and mind.
“Buddy, you really need to be kicking that-”
“Aw, what the hay,” said Maxwell, leaning forward. “It’s clichéd but who cares.” He slammed the pencil through Kirk’s left eye. Jenna screamed as Kirk’s body writhed then collapsed to the ground. The pencil, still stuck in Kirk’s eye, broke in Maxwell’s hand.
The screaming flowed through the office like a wave as the rest of the elves began to panic and for the first time Maxwell noticed how shrill Jenna’s voice could be. He went to swing at her but the movement felt clumsy and sent Maxwell to the floor. “Son of a fruitcake eater,” he hissed as he collapsed next to Kirk.
He looked at the cooling body of his nemesis. “You’ve had better days, ain’t ya, lad?” Maxwell mused, using Kirk’s annoying Irish lilt, patting his forehead. His hand brushed against the broken pencil.
Maxwell couldn’t help himself. He tugged on the pencil, at first wanting only to remove it from the destroyed socket. But something compelled him to remove the eye as well.
The thought repulsed him at first then made him hungry that is until the eye popped out. The sound and sight of it made him cringe. He dropped it to the ground all the while still hungering for it.
“What in the name of sugar plums is wrong with me?” He forced himself to stand though it took greater effort than it should have.
“Hit him in the head!” yelled someone from behind him. Maxwell turned in time to see a snow shovel closing with alarming speed toward his cranium.
The blow made him double over, but didn’t knock him down. He was getting angry and the angrier he got, the hungrier he became. He straightened up; stunned by the fact that he didn’t feel any pain from the attack.
Three elves stood watching him. The one with the snow shovel stood in front of an elf armed with a plastic candy cane and another wielding a stirring paddle from the chocolate factory two doors down. The lead elf looked scared but not as much as the other two. They’d wet themselves and Maxwell loved the terrified looks on their faces.
Maxwell spoke, though not in a way the three would’ve liked. “Maxwell is the hungriest there is!” The sad truth was that Maxwell was hungry. He was famished as a matter of fact. He lunged at the snow shovel wielding elf. The other two, seeing Maxwell’s charge, lost their stomach for the fight. They took discretion as the better part of valor and ran away. Maxwell didn’t care about those two though. He figured he’d catch up with them sooner rather than later.
With a new found resolve, Maxwell forced his attacker to the floor, consuming his throat. He’d eaten his way to the spine before he realized what he was doing. He stopped and looked at the dead elf’s face. Maxwell tenderly brushed the blood off the name plate on the elf’s vest. “Bernie,” he murmured. “You look like a Bernie.” Maxwell didn’t blink as he dove back into the neck, eating his way down to Bernie’s sternum. Maxwell was indeed the hungriest there was.
As Maxwell rose from his meal a strange thought occurred to him. We don’t taste like milk or dark chocolate, peppermint or even like mint chocolate chip ice cream. By Odin’s Undead Beard we taste like meat! And we taste so darn delicious. I wonder why that is?
He left the design room, meandering down the hall, whistling It’s Beginning to look a lot like Christmas. His version though went something along the lines of “It’s beginning to look a lot like an apocalypse. Soon the blood will flow. And the prettiest sight to see is the entrails that will be on your own front door.” Maxwell was in very rare form.
He passed a mirror that hung at an intersection and he stopped to admire himself. He didn’t see much to admire, however. His skin was pallid; his eyes were beginning to look sunken and his chin and chest were coated in elf bits. He smiled wide but grimaced at the chunks that clung to the spaces between his teeth. “Oral hygiene is essential to a healthy smile. Eh, I’ll deal with that later. Time to see a fat man about a naughty and nice list.”
Maxwell followed the corridor that led to the Grand Hall, but was soon blocked by sealed silver, gold, scarlet and emerald doors. He was not pleased in the slightest.
He leaned against one of the doors, listening to the frightened voices that resided behind them. He could hear Santa’s shaky but deep voice telling those gathered with in that things were under control. They were scared and that made Maxwell giddy. For him Christmas had come earlier than usual.
Maxwell was about to pound on the door but was stopped by an odd sound behind him. He turned and called “Hello” to what should’ve been and empty hallway. He didn’t know why, but he was afraid. He called out again and was unpleasantly greeted by the sight of Bernie, the elf he’d eaten in the design room.
“Fudge kicker,” he spat. “Whatever happened to me must be infectious.”
“You watch your language, young man,” answered a raspy female voice from further down the curved passage. A few seconds later Mrs. Claus came into view. Her face was mangled, but Maxwell thought it improved her appearance. “I’ll not tolerate-”
“Awww, blow it out your chimney, ya old bat,” sneered Maxwell.
“Should have known you were the cause of this, Maxwell Jingle. You’ve always been a bad elf.” Mrs. Claus’ words were not helping to ease Maxwell’s renewing anger.
“Looks like someone had a little bit of the old lady,” responded Maxwell with a snarl. “And I do mean old. You’re past your shelf life, sweetie.”
“Now you see here-”
What was left of Bernie clicked its teeth together loudly. Maxwell took that as agreement though he didn’t know with whom Bernie was agreeing.
“Shut up,” grunted Maxwell. “And you, too, Mrs. Chunky Bar. From the looks of you, you’ve been at the ole meat trough, too. Who’d you nibble on? It wasn’t the old man. I just heard him in there.” Maxwell hiked his thumb toward the barricaded doors.
“It was that sweet Jenna girl.” Mrs. Claus smacked then licked her lips at the memory. It was clear that she loved the awful pun.
“You…ate…Jenna? You…ate Jenna? You ate Jenna?” Maxwell snatched the snow shovel from Bernie and proceeded to beat Mrs. Claus to her real everlasting death. “You ate my Jenna! You evil, evil woman!”
The hypocrisy was not lost on Maxwell. Here he was, an apparent zombie, beating another apparent zombie to death over eating a non-zombie. He looked at Bernie. “Did you bite her?” He pointed to Mrs. Clause. The zombified elf looked at Maxwell dumbly. “Did you bite Mrs. Claus, yes or no?”
Finally, he nodded yes. Maxwell proceeded to beat Bernie’s head in as well. He found the act just as satisfying as when he’d first feasted at Chez Bernie.
He was finishing up with destroying the bodies even further when screams erupted from the main hall. “Now what,” he said in a surly voice. Maxwell could hear things being moved from in front of the door in a hurry. Then the doors themselves were flung open.
Elves poured into the hallway but most came to a halt at the sight of Maxwell. They didn’t have a clue where to flee after seeing him. The nearest junction in the corridor was behind Maxwell and the only other path open was back into the Grand Hall.
“Well, whaddya running from?” Maxwell stared at them waiting for a response. No one spoke they were too scared to move for fear of provoking the undead elf. He moved toward the frightened crowd causing them to retreat back into the Hall. Elves trampled each other in the mad rush to escape from Maxwell and his grumpy hunger.
The Grand Hall, once vibrant and beautiful had turned into a house of undead delights. Around the room flew what Maxwell knew to be Donner, Prancer, and Comet except they were…like him. The three reindeer were flying low to the ground and corralling elves as they themselves had once been. The most bizarre sight to behold was Jenna riding atop Prancer, acting like a rabid cowgirl. “If grandpappy could see this,” chuckled Maxwell.
Meanwhile, Blitzen, Cupid, and Vixen were on the ground level in the middle of the room, feeding on a group of elves that had been trapped in the rush to get back into the Hall. Dasher and Dancer were on the second floor, butting the giant mahogany doors to Santa’s office with their antlers.
Maxwell was shocked, but not in a bad way. “Wow,” he said in his best Christopher Walken voice. Just then Rudolph floated down to face him. Rudy’s nose was no longer the only thing red on his face and gone were his soft lips and silky facial fur. What took their place were chipped teeth and meat stained mats. “They feeding you, okay, Rudy?”
The zombified reindeer bellowed his approval as he loped toward an elf trying to pry off a ventilation grate in an attempt to escape.
“This is the best Christmas ever!” sang out an elf that was part of a group munching on one of Santa’s shop foremen.
Maxwell laughed and waved to the elf as he strolled up the spiral ramp leading to Santa’s office. He felt some melancholy as he moved toward the two reindeer still pounding on the door. In his unbeating heart he knew it to be the end of the North Pole as the world knew it but the feeling didn’t last long. Whatever had been in that crashed satellite had changed him and the words “Destruction Gospel” rang through his mind.
“Step aside,” he said, pushing his way past Dancer and Dasher. He cleared his throat as quietly as he could and then pounded on the door. “Oh dear God, let me in! Please! Whoever’s inside let me in! They’re going to eat me!” he increased his banging in hopes that someone would answer him.
The two undead reindeer snickered which made Maxwell have to force a laugh back. He’d never realized that reindeer had a sense of humor before. He shushed them and went back to his mock pleading.
Finally, a voice from within answered him. It was Gregory. “How do I know you’re not one of them?”
“Now’s not the time to ask stupid questions!” To Maxwell’s amazement, Gregory opened the door. Maxwell stifled a giggle as he rushed inside. Now’s not the time to make stupid decisions, either.
“What are we going to do,” asked Santa, cowering behind his teak desk. He clutched a fire place poker in his grubby little hands hoping it would protect him the undead Christmas horde. His eyes went wide as he looked at Maxwell’s face and the greedy grin on it. “You’re one of them.”
“Yep, and you’re the high lord and master of stupid fairy tale beings. Did you tell him to let me in?”
Santa didn’t answer.
“Idiot.” Maxwell didn’t ponder the poetic justice in calling Santa an idiot when he had left his back unguarded against Gregory. Gregory brought the full weight of an aluminum baseball bat down on Maxwell’s back.
Maxwell rolled away more out of sheer luck than any fighting prowess. The bat landed on the hardwood floor where his head had been, leaving Gregory to deal with the forceful feedback of the blow.
“That could’ve killed me,” howled Maxwell indignantly. He tackled Gregory before he could recover. Santa watched in horror as Maxwell plucked the bat from Gregory’s hands, threw it aside and then pinned Gregory to the floor.
“Don’t eat me! Don’t eat me! I have the translation of the glyphs you gave me.” It was a stalling tactic and Maxwell knew it. Regardless, he couldn’t help but be curious about what the etchings meant.
“Tell me.”
“You’ll eat me if I do.”
“I won’t eat you if you tell me.” Maxwell couldn’t believe that he was being childish enough to argue with his food.
“Promise?” Gregory looked up at Maxwell with a worried expression.
“Yeah, yeah, I promise.”
“Happy Ke’daki, you long nosed Tarei’hasan pauk-de.”
The words puzzled Maxwell. He was about to relax his grip on Gregory, but decided against it. “Stay where you are, fatty,” he growled at Santa. Santa had been edging away from the desk in an attempt to hit Maxwell from behind, but Maxwell smelled the approaching scent of live meat. “What’s that supposed to mean? How do you even pronounce that mess?”
“Wherever you got the glyphs from was alien. It’s an insulting Christmas card.”
“What?”
“Ke’daki loosely translates out to Christmas or Spiritual War God Festival and Tari’hasan means foul, weak opponent or enemy. And I can’t even say what pauk-de means. I think it’s the ‘F’ word.”
“That’s it? Merry Christmas, you long nosed, weak enemy blankety-blank? Is this a joke?”
“I swear to Jack Frost it isn’t.” Gregory’s trembling subsided but only for a moment. It resumed once he saw the smiling snarl stretch across Maxwell’s lips. “Where ever this text came from was extra terrestrial in origin! Swear!”
Maxwell lunged for Gregory’s nose. “You promised you wouldn’t eat me,” he whimpered.
Maxwell paused. “You’re right. I didn’t promise not to bite you, though.” He sank his teeth into Gregory’s neck, enjoying the warm gush that followed the bite. He stopped himself from enjoying more than that. He was, after all, an elf of his word.
He moved away from Gregory as the elf thrashed and his screams mingled with the sounds of the dying outside. Maxwell turned to Santa, who hadn’t moved an inch from where Maxwell had told him to stop. “Don’t worry, nothing’s going to happen to you, big guy, but you are going to help spread the Destruction Gospel.”
“Destruction Gospel?” Santa could keep from stammering. He could already tell he was better off being eaten than being left alive.
Gregory stopped thrashing and joined Maxwell where he stood. “Happy New Year, Santa. We’re going to be doing more than rocking around the Christmas tree this year.”
Eleven months later the undead reindeer were being hitched to the sleigh to make the yearly flight. Santa sat nervously inside, dreading what was about to happen. He looked at Vixen, who had once been the gentlest of the team. Decomposition hadn’t been kind to her or her fellows. Flesh was missing from areas of her body but was prominent in her teeth. Maxwell had spent the year snatching children from the Naughty List as a way to keep what he called the Necrotic Pole Crew fed and content.
“Everything loaded up?” Maxwell asked Gregory.
“Yeah, buddy, it is. We’re spreading the news to all the good little boys and girls in the world tonight. By this time tomorrow, everyone will know the true meaning of silent night.”
“You’re not funny, dude. Bad pun.”
“Eh, kill me or replace me, Maxie.”
Maxwell still hated the nickname but he tolerated it from Gregory. There was a demented streak in him that Maxwell had come to love. “See you in 24 hours if somebody’s air force doesn’t shoot us down first that is.”
The ground crew cleared the sled for take off and soon they were well outside the North Pole. Maxwell smiled at Santa. “After tonight I’m willing to bet that soda company will wish they’d never picked you as their holiday mascot.”
Santa groaned. The sleigh was packed with the normal toys but also a bottle of infected soft drink bearing a familiar red and white logo for every good boy and girl in the world.
As the sleigh cut across the night sky headed toward North America, Maxwell whistled Santa Claus is Coming to Town. If he listened closely he could hear the reindeer grunting in tune with him.

*******************************************************
Jason Mckinney is the depraved mind behind Dog World (Werewolves = the end of everything) and Memoirs of the Dead (zombies are ex-people too. With feelings. And un-dead sex). He writes heart-stopping horror, crazy humour, and is one of the nicest guys you'll ever meet.  I've been lucky enough to call him a friend for some time now. 
Follow him on twitter at @jason_mckinney, check out Dog World's facebook page; and get yourself over to his blog for some mind-blowing short fiction and get to know him; and keep an eye peeled for his books on the new Kindle lending  library.